at Syracuse University
What is a landscape? And why do landscapes matter? These fundamental questions drew together faculty members, curators, and select graduate students from Syracuse University and the SUNY College of Environmental Science and Forestry (SUNY ESF), at a Landscape Studies Interdisciplinary Faculty Research Seminar organized between 2018 and 2020. Landscape Studies at Syracuse University is dedicated to their research and reflections. It features essays, guest lectures, and a poem that explore landscape through different lenses: as “a physical and multisensory medium (earth, stone, vegetation, water, sky, sound and silence, light and darkness, etc) in which cultural meanings and values are encoded,” as W.J.T. Mitchell puts it (Landscape and Power, 2002); a “contact zone” of imperial encounter, interaction, and conflict (Mary Louise Pratt, Imperial Eyes, 1992); a node that binds together “more-than-human dramas,” in Anna Tsing’s words, where “humans [join] other living beings in shaping worlds” (The Mushroom at the End of the World, 2015); a cultural imaginary and a social construct; an archive of ruin and ruination; a locus of restoration and renewal; an artifice created through ink and paint (paintings and prints) and plants and animals (gardens); a place of adventure and exploration; a site of commodity production and commercial profit; and an assemblage upon which climate change leaves deep, indelible marks every day. Through all these conceptualizations runs a common thread: landscapes are not just the outcome of human interventions, they are inherently active with their own rhythms and pulses. Over the course of two years, participants in the Landscape Studies seminar presented research talks, worked through ideas for their creative projects, exchanged research methodologies, arranged film screenings, curated exhibitions, and organized symposia and guest lectures. They wove their way through seminar rooms, museum collections, exhibitions, the Adirondacks, and Zoom meetings. Funded by the CUSE Grant Program at Syracuse University, the seminar was also enriched by distinguished guest speakers Harriet Ritvo, Arthur J. Conner Professor of History, Emeritus, MIT; Bettina Stoetzer, Class of 1948 Career Development Associate Professor of Anthropology, MIT; and Mickey Mahan, Centro bus driver, Syracuse, New York.
Speaker: Mickey Mahan
For more than two decades, the people and places surrounding Centro bus-driver Mickey Mahan, have settled into his poems, giving us ...
READ MOREBy Nehan Naim
Saving faith for another time (literally), I pursue Dr. Alfred’s science, and my recent work involves reconciling facts, figures and fish (markets). By understanding participants’ behavior and the ...
READ MOREMy first scholarly monograph, which is based on over a decade of archival and field research, extends the conversation on Buddhist ...
READ MOREBy Joan Bryant
Huestis Cook’s photograph contributes to popular imagery of Black people picking cotton - chief among America’s “slave crops.” It thus ...
READ MOREI am an art historian who works within and between the fields described as American art and Native American art. I began my ...
READ MOREBy Juan Juarez
Corpus emerged from documentation of a specific site and place of memory. Photographic documentation of my paternal grandmother’s house initially intended to preserve this abandoned ...
READ MOREBrazilian Landscape was painted in 1665 by the Dutch artist Frans Post. Post was born in Haarlem in 1612 and died in the city of his ...
READ MOREBy Susannah Sayler & Edward Morris
Our current work began with a landscape photography project titled, A History of the Future in which we photographed places ...
READ MOREBy Julia Jessen
Harry Fenn’s Indian Watching a Ship from Shore, from circa 1870, depicts a solitary Native figure observing the arrival of explorer ...
READ MOREBy Glenn Peers
The Late Byzantine icon of the stylite saint Symeon and of the dendrite saint David, now at the Vatopaidi Monastery on Mount ...
READ MORESpeaker: Harriet Ritvo
While maintaining pedigrees to guarantee purity, nineteenth-century animal breeders also occasionally attempted to achieve improvement through hybridization. The keepers of zoos and menageries ...
READ MOREEstablished in the early seventeenth-century Netherlands, still life became an independent genre of painting. Originally, religion shaped the subject matter, such as the representation of the Virgin ...
READ MOREBy Mike Goode
New media for representing landscapes—and landscape as a medium itself—are integral to two of the three case studies that ...
READ MORERoelandt Savery was born in 1578, in Courtrai, located in the Southern Low Countries. Courtrai fell to the Spanish in 1580 and ...
READ MOREThese poems are about my experiences gardening with, learning from, and forging longstanding relationships with Karen individuals from Southeast Myanmar (Burma) who have been resettled as ...
READ MOREBy Anne Godfrey
The effect of looking at places you cannot visit, through photography, becomes more profound when longing is the lens through which you look. This sense of longing sprouted from confinement ...
READ MOREBy David Prince
Herman Melville brought his epic narrative to its climax by having the white whale ram and sink the whaling ship Pequod. Far from ...
READ MOREBy Romita Ray
Carved out of dense jungle in the nineteenth and twentieth centuries, tea plantations in India are often located in time-honored animal corridors, their very names resonating with the wildlife long enmeshed ...
READ MOREIn her essay, “Ruderal ecologies: Rethinking nature, migration, and the urban landscape in Berlin,” Bettina Stoetzer asks us to pay ...
READ MOREBy Emily Vey Duke & Cooper Battersby
You Were an Amazement on the Day You Were Born is a visually rich film that follows a woman through a life characterized by damage and loss, but in which she finds humor, ...
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